Showing posts with label Watercolor Painting. Show all posts
Showing posts with label Watercolor Painting. Show all posts

Sunday, February 9, 2014

White-crowned Sparrow with Snowflakes

I created this painting of a White-crowned Sparrow (Zonotrichia leucophrys) for my Dad. I've been on crutches for the past three weeks and haven't been able to get outside to fill my bird feeders. Instead, I turned our deck into one huge feeder so I can simply open the kitchen door and toss the seed out. Our deck is covered in snow and ice, so the birds must think they are on the ground. It took a day or two for them to get used to the new digs, but they love it now. When the snow and ice melt away (probably in June if the weather keeps up), it's going to be a huge mess, but until then, it's fab! My mom and dad were over the other day and we were talking when my dad noticed a new bird on the deck. It was a White-crowned Sparrow. We have a lot of White-throated Sparrows in our yard, but White-crowned Sparrows are rare. Some winters we have none, so seeing one on the deck only steps from my kitchen window was exciting. Good eye, Dad!

A White-crowned Sparrow sits with snowflakes falling all around. This is a realistic painting of the bird, but the snowflakes are whimsical.
White-crowned Sparrow with Snowflakes, watercolor and gouache, by Kelly Riccetti
I used this pencil sketch to help me plan out my watercolor painting.
...the pencil sketch I created as a study for the White-crowned Sparrow painting. Can you see the cat paw prints? Bip did a little dance across it when I wasn't looking. Bad, Bip! Although those little paw prints do look cute...  

Earlier in January, I photographed a White-crowned Sparrow in our backyard. He was part of a mixed flock of White-throated Sparrows, Dark-eyed Juncos, American Tree Sparrows, Northern Cardinals, and Carolina Chickadees. I'm glad I was able to photograph him then, because I haven't been able to get back out since...

The contrast between the white and black feathers on a White-crowned Sparrow are striking. The cross on the back of his head is a tell-tale sign that his is a White-crowned and not a White-throated Sparrow.
The cross on the back of a White-throated Sparrow's head is a giveaway to this bird's ID. The contrast between the white and black is very noticeable and makes it easier to distinguish between White-crowned and White-throated Sparrows.

I love the warm browns, grays, and blacks on the White-crowned Sparrows wings. This bird is beautiful, and I always look forward to seeing one in our yard.

Fluffing up against the cold, this fella looks cool from behind!
Fluffing up his feathers against the cold, this fella seems to have a spiky hairdo.  I love the side view of the head and the detail of the back feathers and wing feathers.

I painted the White-crowned Sparrow in this post in a style similar to a painting I did of a White-throated Sparrow in December--click here for that post. In both, I painted the birds in a realistic style but went whimsical with the snowflakes. (You'll probably notice the White-crowned Sparrow has more snowflakes than those in the White-throated's painting. We are getting a lot more snow now than in December! :-)

Tuesday, December 24, 2013

White-throated Sparrow with Snowflakes...

Watercolor painting by Kelly Riccetti of a White-crowned Sparrow at night among snowflakes.
I think our little White-throated Sparrow has just settled himself for a long winter's nap.
(...or maybe he's watching for Santa!)

Wishing you the happiest of holidays
filled with love and cheer. 

Merry Christmas...and a Happy New Year! 


Winter Birds
White-throated Sparrows are one of our first winter birds to arrive in our back yard each autumn. Rick and I watch for them, along with White-crowned Sparrows, American Tree Sparrows and Dark-eyed Juncos as soon as the leaves start to turn colors and a chill hangs in the air. These sweet birds leave their nesting grounds up north and head south to live with us during the winter. They are special guests, and their musical calls and beautiful plumage brighten dull gray winter days. It's always exciting to spy the first to arrive for the season. This year, Dark-eyed Juncos won the contest, showing up on October 21. White-throated Sparrows were right on their heals, making their appearance on October 23. White-crowned Sparrows sometimes skip our yard altogether, but this year, they dropped in on November 14. We're still waiting for our musical little American Tree Sparrows to show. They usually blow in with a winter storm in January. With all the snow we've had in December, however, we were hoping they would show up sooner. We will keep watching. Maybe they will hitch a ride with Santa, and we will see them at the feeders Christmas morn...

Thursday, November 28, 2013

Crane-berries, Thanksgiving, and Sandhill Cranes...

Cranberries...people either love them or hate them. I'm one that loves them, so earlier this week while thinking about the big feast, I decided to research how cranberries were grown. I knew they were native berries that grew in bogs, etc., but I didn't really know the mechanics of it. Before learning about their cultivation, however, I stumbled across a history of the berry and was delighted to learn cranberries were named after one of my favorite birds, the Sandhill Crane...

Cranberry (Vaccinium macrocarpon) blossoms watercolor painting
Pilgrims and other early European settlers thought the tiny cranberry blossom resembled a Sandhill Crane and soon took to calling them crane-berries. Over the years, the name of the sweet and tangy native fruit was shortened to cranberry.
With the long slender stem, the pink-white petals that curve back forming a head, the red on at the top of the stamen creating a "forehead," which then curves down to a long tapered "bill," it's easy to see how a cranberry blossom would make people think of a Sandhill Crane...

Sandhill Crane (Grus canadensis) watercolor painting
A long slender neck, a whitish head, a rosy red forehead, and a long bill....yep, looks like a cranberry blossom to me! 
Cranberries (Vaccinium macrocarpon) are native to North America. They are unique and grow only in acid peat soil with a supply of fresh water, sand and a long growing season (April to November, which makes them the perfect Thanksgiving treat!). They also require dormancy and cold temps in winter to complete their life cycle. Cranberries grow on vines in beds made up of layers of sand, peat, gravel and clay. Mother Nature created the original "bogs" from glacial deposits. Man continues to refine the process today:

Click here for "Cranberries 101" - an introduction to how cranberries grow from the Cape Cod Cranberry Growers Association

Click here for a history of cranberries from the Cape Cod Cranberry Growers Association

Click here for a description of cranberry crop pollination by bees

Click here for the heath benefits of cranberries


Happy Thanksgiving!
(...and yeah! for the crane berry.)

Tuesday, December 25, 2012

Chiggy decks the halls...and don't forget winter roost boxes for cavity nesting birds!

A Christmas Chickadee is stringing boughs of pine and sprigs of holly on his house to make the season bright! Original watercolor by Kelly Riccetti.
...according to Chiggy no doorway is complete without boughs of pine and sprigs of holly!

Wishing you the happiest of holidays 
filled with love and cheer.

Merry Christmas!



Winter roost boxes for cavity nesting birds...
In reality, you wouldn't see a chickadee using a birdhouse as a nest box during the winter (of course, you wouldn't see a chickadee hanging pine rope on one either!), but you might see a chickadee venturing into a small roosting box on a cold winter's night. Many cavity-nesting winter birds roost together at night to conserve heat in roost boxes. Bluebirds, titmice, winter wrens, and white-breasted nuthatches are all known to roost communally and will even use birdhouses as a roost box, but chickadees roost individually and prefer tiny crevices or very small roost boxes to help them conserve heat and make it through long frigid nights.

Nesting boxes and birdhouses are open and drafty. They are designed to dissipate heat because they are used in the spring and summer when temperatures can soar. Since heat rises it only makes sense the entry hole on a nesting box is at the top of the box, but roost boxes are designed to hold heat in. They are well sealed and have the entry hole at the bottom of the box. Communal roost boxes are designed with multiple shelves or perches staggered throughout the box. Click here to download instructions and plans from the Missouri Department of Conservation on how to build a communal winter roost box.

It's hard to find a single-bird roost box in a store, so you might need to make a tiny roost box for a chickadee if you want one (or 10) in your yard. Scott Shalaway, in an article titled "A winter roosting box for chickadees is a tight spot" (click here), suggests making a small roost box with the inside dimensions of four inches wide, three inches deep, and three inches high...with an entry hole of 1.25 inches at the bottom of the front panel. He doesn't supply the plans, but it doesn't seem too hard.

Cynthia Berger, in an article titled "Providing Birds with Cozy Winter Roosts"(on the National Wildlife Federation's site, click here), talks about cavity nesting birds using birdhouses and roost boxes in the winter. Bluebirds do not roost on perches. They like to clump together at the bottom of a nest box, so you might want to winterize a few birdhouse nest boxes for the bluebirds. She also reports that a zoology professor named Chuck Kendeigh did an experiment (research was performed from December 20, 1949 to January 11, 1950) to confirm winter roost boxes really do help birds survive freezing temperatures. He found that during the day when the bird was not in the roost box the temperature was the same inside as it was out, but at night, the temperature inside the roost box rose from 18 degrees outside to 29 degrees inside. The colder the outside temperature, the greater the difference in warmth inside. He concluded that winter roost boxes really do help winter birds brave the cold.

For a detailed account of how Black-capped Chickadees survive northern winters, check out the book Wild Bird Guide: Black-capped Chickadee by Susan M. Smith (page 69). I love this book! You can order it on Amazon, here

Tuesday, November 22, 2011

Have your Dark-eyed Juncos arrived yet?

Our first contingent of Dark-eyed Juncos made an appearance two weeks ago on November 8. The little gray beauties with the sweet pink bills blew in on a cold north wind, bringing excitement with them as they announced the change of the season. These are our winter birds. We only get to see them when the snow flies and the skies turn gray. Having them back in the yard is always a happy day. Their chatter and twittering is almost fairylike, and their dark gray feathers are pretty. If it has to be cold and gray outside, thank goodness we have our little gray birds out there to brighten things up! Every year Rick and I have a little contest to see who will spot the first Dark-eyed Junco of the season. I won this year...

Painting 196. The First Dark-eyed Junco of the Season
(Watercolor)

Painting 195. Here Comes Winter--a Dark-eyed Junco is in the Backyard!
(watercolor)

Thursday, October 20, 2011

A Pied-billed Grebe Couple at Ding Darling...

...when Matty and I saw these two Pied-billed Grebes swimming side by side, we thought it was a mama and a baby, but then we did a second take. It was only March 22, which seemed a little early for a baby to have matured to this size. When we looked through the binocs we were really stumped. The "baby" had the breeding plumage of an adult. I know males can be a little bigger than females, but this strange couple must have been made up of the biggest of big males and the smallest of small females...

...when we watched this couple from the bank, the size difference seemed much larger than what was captured in the photo, but even here, you can see how much bigger the male was. The female really did look like a juvenile. I don't get to see breeding pairs very often. I usually only see single birds when they are migrating through and floating solo, so maybe this is a normal size difference.

...we saw this Pied-billed Grebe couple at the J.N. Ding Darling National Wildlife Preserve earlier this year in March.

...pencil sketch of the mismatched Pied-billed Grebe couple (the size difference is slightly exaggerated in the sketch, but in real life, the male looked much larger as appears in this sketch--compared to how he appears in the photos).

Painting 179. Pied-billed Grebe Bright
(oil pastel)

Painting 178. Pied-billed Grebe Blue
(watercolor)
After I painted the painting, I took a spray bottle and sprayed the whole thing, letting the colors mix and drip down the page. It was painted quickly and sprayed before the paint had totally dried.

Painting 177. Pied-billed Grebe Light
(watercolor)

Tuesday, October 18, 2011

Chestnut-sided Warbler paintings...

Chestnut-sided Warblers are always a fun warbler to watch. Their bright yellow heads and rusty-chestnut sides always look so nice through the binocs! I continue to plug away on the 100 Painting Challenge (2nd year). I finished these paintings a few weeks ago and posted them to the challenge site and the Birding is Fun site, but forgot about old Red. So here they are...

Painting 176. Tough Chestnut-sided Warbler on the Lookout
(watercolor, charcoal, and an electronic PhotoShop Filter)

...pencil sketch of the Chestnut-sided Warbler

Painting 175. Chestnut-sided Warbler Migrating Through...
(watercolor, charcoal, salt for the mottled background, and an electronic PhotoShop Filter)

...pencil sketch for painting 175

Painting 174. Chestnut-sided Warbler in the Forest
(oil pastel over a quick watercolor)
(...this is my favorite!)

Painting 173. Chestnut-sided Warbler on Branch
(...a quick practice painting to plan painting 174. It is colored pencil over a two-minute watercolor.)

Tuesday, September 27, 2011

My hummingbirds are not always angelic...

...sometimes they perch with an undeniably honked-off and irritable look in their eyes defying any other humming-type bird to venture forth and try...just try...to get a sip of the sweet, sweet nectar...


Painting 172. Female Ruby-throated Hummingbird Guarding the Nectar
Watercolor



Rough Pencil sketch from my sketchbook of a female Ruby-throated Hummingbird

...I drew this sketch in the car while waiting for Matty. My ref was a poor-quality printout of a photo I took a couple of years ago. As a result, I couldn't see any feather detail, so I totally made up the feather configuration, choosing "poetic license" to give the feel of detail. Since this little female had such a fierce look in her eyes...and she was "poetic" in her own way, I thought D. H. Lawrence's poem "Humming-bird," where he depicts a hummingbird at the dawn of creation as a "jabbing, terrifying monster," was the perfect fit. When I watch our hummingbirds fight viciously over their food source in the summer, I totally get his image...
Humming-bird

I can imagine, in some otherworld
Primeval-dumb, far back
In that most awful stillness, that only gasped and hummed,
Humming-birds raced down the avenues.

Before anything had a soul,
While life was a heave of Matter, half inanimate,
This little bit chipped off in brilliance
And went whizzing through the slow, vast, succulent stems.

I believe there were no flowers, then,
In the world where the humming-bird flashed ahead of creation.
I believe he pierced the slow vegetable veins with his long beak.

Probably he was big
As mosses, and little lizards, they say, were once big.
Probably he was a jabbing, terrifying monster.
We look at him through the wrong end of the long telescope of Time,
Luckily for us.

by D. H. Lawrence
(excerpted from "The Little Big Book of Birds," by Tabori and Fried -- originally from "Birds, Beasts and Flowers," 1923)
...this is painting 72 in this year's 100 painting challenge...painting 172 in my 5 year, 500 painting challenge.

Tuesday, September 6, 2011

Midwest Birding Symposium...hope to see you in Lakeside, Ohio!

Later this month, I'm heading up to Lakeside, Ohio (half way between Toledo and Cleveland) for the 2011 Midwest Birding Symposium! I went to the event two years ago and had a wonderful time. It was the first time I had ever been surrounded by hundreds of people who love birds! It was a totally unique experience. If you love birds, and you're close by, sign up...and look for me!

p.s. If you go to Lakeside, you'll see lots and lots of this gorgeous bird...

Caspian Tern (Sterna caspia) - Watercolor and Graphite Pencil Field Sketch.
I sketched this fellow out quickly near Marblehead Lighthouse at the last Midwest Birding Symposium (9-17-09). It was a gorgeous day and one Caspian Tern after another was flying by.


The Pavilion and Pier at Lakeside, Ohio, on Lake Erie
Lakeside was founded in 1873. The streets are lined with historic Victorian-style homes and buildings. The town is perched on Lake Erie and fabulous birding spots are all over, including Magee Marsh and the Black Swamp Bird Observatory!

...the boardwalk at Magee Marsh at sunset.

...a Green Heron hunting at sunset. He was just off the Magee Marsh boardwalk and the light was fading fast! Click here for more photos of this fellow.




Something new this year, you will find a booth at the back of Hoover Auditorium for the Carbon Offset Bird Project (COBP). COBP is an experimental program put together by birders to help offset all the fossil fuel we burn riding here and there searching out birds. The project is being launched this September at the Midwest Birding Symposium. I might be volunteering at the booth for an hour, so look me up! Click here for more information. The funds generated from this project will be used to purchase additional wetlands for Meadowbrook Marsh (click here for more info on Meadowbrook Marsh). You can also go to Cheryl Harner's blog, Weedpicker's Journal, for more information.

You can print and fill out the following form to help with the Meadowbrook Marsh Carbon Offset Bird Project:



Hope to see you in Lakeside, OH
at the 2011 Midwest Birding Symposium!

Sunday, May 15, 2011

...a quick sketch of a watery spring wren

Painting 146. Spring Wren Dripping Waterdrops
(Watercolor, 9x10 Arches Cold Pressed 140 lb paper)

Spritely behind leaves...
Spring wren dripping waterdrops
...has a job to do.

Saturday, May 14, 2011

Same butterfly, different styles

Painting 145. Yellow Butterfly on Red Geranium II
(Watercolor heightened with colored pencil, 10x7 Arches Cold Pressed 140 lb paper)

Painting 144. Yellow Butterfly on Red Geranium
(Oil Pastel, 9x12 Sennelier Oil Pastel paper)

Yesterday we had a taste of summer's heat before a cold front moved in and blew it all away, but the seed was planted, and warm sunshine and sunshine-y butterflies were in my imagination waiting to get out. I'm also taking a watercolor journaling class with Laure Ferlita called An Imaginary Trip to the Garden, and part of our assignment was butterflies. After I finished the journaling assignment, I took one of the extra photos and got my oil pastels out...intense color and a fleeting impression was what I had in mind, and painting 144, Yellow Butterfly on Red Geranium was a the result. After that, I created a very loose and impressionistic watercolor painting, then heightened it with colored pencil, which became painting 145...

Sunday, March 27, 2011

Oh Sweet Canada...

Our little White-throated Sparrows have started singing their spring "Oh Sweet Canada...Canada...Canada..." love song, so even though we had snow last night and the temps are still very cold, I know spring isn't too far away. I always look forward to hearing the White-throated Sparrow's song. Their beautiful, musical whistles light up the air around them with cheer and make me happy. Soon they will be flying north to their breeding grounds, and we won't see them again until reds, yellows and oranges fill the trees, and we have to pull on sweaters and gloves...

Painting 130. White-throated Sparrow in (Anticipated) Spring
(Watercolor, 12x16 Arches Cold Pressed 140lb Paper)

This painting was an experiment. I wanted to create a textured background by pressing fern fronds coated in paint into the paper. It was fast, MESSY and fun. Don't try to identify the flowers, they are totally made up. I just wanted a color to help bring out the yellow eye patch on the White-throated Sparrow (and pretend it's really spring around here).

Thursday, March 17, 2011

Happy St. Patrick's Day

Painting 129. Chiggy's Wearing of the Green!
(Watercolor, 7x10 Arches Cold Pressed 140 lb Paper)

Chiggy decided Wearing of the Green was in order. He usually has to get in on some form of holiday action! Hope everyone has a wonderful day.

Sunday, February 13, 2011

Happy St. Valentine's Day!

Tug Chiggy, tug!

...ahhh...thanks, Chiggy! Nothing says love like a rose-petal heart from a chickadee...

Have a happy St. Valentine's Day all you beautiful bird lovers!


...these are paintings 112 and 113 in the 100 Paintings Challenge. The idea came to me while I was taking Laure Ferlita's mini eClass: Valentine Cards. Our assignment was painting roses, and after I finished my class roses, "Chiggy Tugging on a Rose Petal" popped into my head. I love the simplicity of the first little chickadee. I hope you all have a wonderful St. Valentine's Day.

Wednesday, February 9, 2011

A Study of a Black-bellied Plover

I loved watching this Black-bellied Plover probe the sand looking for food. More often than not he would spot something and run to pick it up, but sometimes he would dig into the sand to find something to eat. I saw this guy on Longboat Key in Florida last March. He was foraging with a small flock of Willets. He was mostly on his own, but he would move with the flock, so he seemed to be a part of it. Since it was March, he was still in his non-breeding plumage. You can tell I've warmed his colors up a bit in this painting too (just like I did with the Sedge Wren). He's really a bit blander...a lighter brown/gray. (For the post with the reference photo I used, click here.) This was a fun bird to paint. I enjoyed stylizing the feathers on his back and adding in the sand.

Painting 111 - Black-bellied Plover Digging in the Sand
Watercolor, 12x16 Arches Cold Pressed 140 lb Paper

Sketch of a Black-bellied Plover
I sketched him while sitting in the car waiting for Matty to get out of school (as usual). It was a quick sketch to help me get a handle on his shape. I didn't go into much detail.

p.s. This is the first bird in the 100 Paintings Challenge that Rick has flipped for. He wants a print for his office! Cool...

Sunday, February 6, 2011

Study of a Sedge Wren in the High Meadow

Painting 110 - Sedge Wren in the High Meadow
Watercolor, 12x16 Arches Cold Pressed 140 lb Paper

You can't help but be held captive when watching this little bird. He sings and dives and then flies for a short burst...then dives again, then sings again just to let you know he's there, all the while making sure he stays well hidden among the tall grasses and stalks of meadow flowers! The first time I saw this fellow I definitely was riding a birding high. My adrenalin shot up so fast (I'm sure you know that birdie feeling!), and I was so excited. We are on the eastern-most range of this bird, which means we don't get to see him very often. If you look on our Cincinnati Bird List he's a "EEEE," which of course means he's hard to find; and "may not be present at all at this time in some years, but has occurred often enough to form a pattern." I was lucky enough to find him twice. Once on August 2, 2009 (post is here) and again on August 7, 2009. I got a few photos from both visits, but they were not great, so I decided to bring him to life with watercolor. During this summer and early fall I watched and listened for him every time I was in the High Meadow at VOA Park, but he never returned, which is predictable because that's his nomadic little modus operandi...

p.s. While painting this little guy I warmed the colors in his plumage up just a bit because he holds a warm spot in my heart (and that's how I see him in my mind's eye). He's a little more faded in reality (you can see that in the photos I posted here).

Friday, February 4, 2011

Painting a juvenile Tricolored "Hair Nation" Heron

Painting 109 - Tricolored Heron in Profile; the Beat Goes On...
Watercolor, 12x16 Arches Cold Pressed 140 lb Paper

I knew when I saw this juvenile Tricolored Heron through my camera lens he would someday end up in a painting. The image of his profile and incredible tufts of downy feathers bubbled around in my brain for a long time. At first I saw him as a crazy acrylic...something with lots of energy to match that crazy "head of hair," but slowly it morphed into a detailed watercolor. The downy stray baby feathers on the top of his head were so airy and breezy and soft. I could see them in my mind's eye floating with the gentle puffs of sea air on that very hot day, and watercolor seemed the only way to capture that feel. This was the first baby heron I saw on Pinckney Island this summer (the post is here), so he was special. There were lots of other juveniles with cool hairdos, but this guy stood out. You can just tell he's a Rock 'n' Roller!

Pencil sketch of a juvenile Tricolored Heron

Now that I'm not afraid to sketch and paint in public, a whole new world has opened for me. I sketched this guy during an hour and half hockey practice...then again the next day during an hour and half tennis clinic--that's three hours of drawing time previously I would have spent reading. During that time I probably erased and redrew him 4 or 5 times. I was aiming for accuracy and wanted to get the angle of the head and bill just right. Drawing and redrawing helps me get familiar with the subject of the watercolor painting, and I found I use the sketches to solve problems I anticipate while painting. When I first started drawing this guy, I had no idea how to render the feathers on top of his head without making them look like brush bristles. Playing with the graphite, erasing, darkening, etc., allowed me to see the subtle shading that was there and helped me learn how to bring dimension to the painting. I only use sketches for detailed watercolors...my acrylic paintings are spur of the moment and fast.

p.s. I did get a new scanner, so it can handle the 12x16 format, but I'm still struggling with an exact scan using the scanning software. The original of this guy is nicer...the baby down is finer and not quite as yellow... Matty just walked in and saw the scan and said, "That's no where near as good as the original..." Well, I'll keep working on it!

This painting is part of the 100 Painting Challenge. I'm doing it for my second year. If you're an artist and want to join, visit the 100 Paintings Challenge Blog.

Tuesday, January 18, 2011

Radioactive Cardinal...

Painting 103, Northern Cardinal at 18 Degrees F
Watercolor
8.5x10 Arches Cold Pressed Watercolor Paper

My scanner seems to be running a little hot because this male Northern Cardinal looks like he could light the night. The original painting is vibrant, but not quite as saturated at this scanned image of it! I need a new scanner...any recommendations?

Do you recognize this fiery male? I shot him when I took Matty and Chet snowboarding. I changed the pose up a bit from the head-on photo I posted, but I'm working on a pencil sketch of that photo, and I'm going to turn it into a watercolor soon.

This painting is part of the 100 Painting Challenge. I'm doing it for my second year. If you're an artist and want to join, visit the 100 Paintings Challenge Blog hosted by Laure Ferlita.