Showing posts with label Painting birds. Show all posts
Showing posts with label Painting birds. Show all posts

Monday, July 29, 2013

...people love to paint birds!

Matty and I had a blast today teaching bird lovers how to draw and paint birds at the Little Miami Scenic River and Trail Center. I had no idea there were so many people who wanted to learn how to paint birds! We were swamped with artists of all ages all afternoon. I really enjoyed watching everyone's interpretations come to life on paper. Here are just a few of the artists and their creations...

...this dad had no idea he could paint. It was his first time to pick up a paintbrush!
I love this painting...a very cool rendering of a female Northern Cardinal. 

...focus and concentration...this little girl knew exactly how to bring her eagle to life.

...using the "two circles and a triangle" method made it easy to draw birds! 

...love these deep, rich colors. This little girl had a sharp eye for design.

...a software developer checked his analytical self at the door and got his art on. He opted for the "circle and triangle" bird drawing method and created his own design of a black-capped chickadee (this was his first time to paint and draw!). 

...and a mechanical engineer created this gorgeous Blue Jay by sketching out her own design too. Circles and triangles go a long way with birds. I love all of the shading and dimension.

These girls really worked hard and created beautiful paintings...while laughing and having fun too!

...diligently mixing paint to get the exact color. This young artist really enjoyed creating custom colors. She totally nailed the olive green that shows on a Hooded Warbler.

...sweet, sweet paintings. I love the way these sisters created their paintings of a White-breasted Nuthatch and a female Northern Cardinal. Beautiful!!!

All of these bird-loving artists took part in the free bird painting workshop Matty and I hosted at the Little Miami Scenic River and Trail Center on Sunday. Click here for yesterday's post to find out what it was all about and to learn more about Little Miami, Inc. (LMI) and the Little Miami Scenic River and Trail Center. I'm going to put another post together soon showing all of the cool stuff in the center and explain more of how LMI protects the Little Miami River...and some of the people behind the organization. More to come...

Wednesday, August 15, 2012

"Storm," the Barn Owl, makes a cameo appearance...

"Storm," the Barn Owl, is a teaching owl at RAPTOR, Inc. in Cincinnati, Ohio. RAPTOR is a non-profit organization committed to the preservation of birds of prey. RAPTOR members rehabilitate injured birds of prey until they can be released back into the wild. Unfortunately, some have permanent damage and can't hunt or survive on their own, so they stay on at RAPTOR as educational birds. Last autumn I  photographed many of their resident birds, and Storm was one of them. Storm was admitted to RAPTOR on June 26, 2007 as a nestling with a severe left wing soft tissue wound. The owl's left wing had been caught in the seam of a barn and was not able to be saved. Since then, Storm has become one of the most photographed and beloved of their educational birds (click here for all past RAPTOR, Inc. posts).

Whenever I post photos of captive raptors, I always make sure to let artists know they can use the photos as references for their paintings, so I was especially happy when I heard from the very talented and interesting Virginia painter Mary Chiaramonte. Mary put our beautiful Storm in one of her paintings and sent me a photo of it that I could post. If you look at the shed, Storm is perched on the right side of the roof...

"Trespass" by Mary Chiaramonte--a painting featuring "Storm" the Barn Owl!
"Trespass" by Mary Chiaramonte
(Storm the Barn Owl is perched on the right side of the roof...looking very Stormy! I love the night-feel in this painting.)
Mary's paintings are multi-faceted and very interesting. I can't stop looking at them! They are made up of layer upon layer of emotion. You'll have to take your time and study them. Click here to see more of her paintings. Thank you, Mary for sending me the photo! If you are interested in keeping up with Mary's work, you can "friend " her on Facebook because she posts new paintings there: http://www.facebook.com/mary.chiaramonte.9

Since Storm has been made famous in Mary's painting, I thought I would include a few more photos of our gorgeous star. These are all great reference photos for artists and painters focusing on cryptic feather patterns, wing shape, and close-ups of those amazing talons and feet...

Cryptic camouflage patterns in a Barn Owl's plumage -- "Storm" from RAPTOR, Inc.
Barn Owl feathers have beautiful cryptic colors and patterns to help camouflage it.
Barn Owl profile -- "Storm" from RAPTOR, Inc.
...a profile shot of Storm the Barn Owl with a bit of "eyeshine" triggered by the morning sunlight reflecting off the tapetum lucidum, a reflective layer of cells behind the retina that helps owls and other nocturnal animals see at night (click here for more about eyeshine and the tapetum lucidum).  
Extended wing of a barn owl -- "Storm" from RAPTOR, Inc.
Storm in the classic Count Dracula pose...
Close-up of a wing of a barn owl -- "Storm" from RAPTOR, Inc.
The silent flight of nocturnal owls has intrigued humans forever. It's achieved because of a unique adaptation to the trailing feathers on the back end of the wing. The leading edge (primary feathers) are serrated, which helps with stability, but the trailing feathers are fringed and tattered and account for the silence by breaking up the sound waves generated as air flows over the top of the wings and forms downstream wakes (source: National Geographic, "Owls' Silent Flight May Inspire Quiet Aircraft Tech," by John Roach. Click here for the complete article).    
Wing feather details of a barn owl -- "Storm" from RAPTOR, Inc.

Head-on shot of a Barn Owl's face -- "Storm" from RAPTOR, Inc.
These large, forward facing eyes allow for good stereoscopic vision, which helps owls judge distances. Owls have the most forward facing eyes of all birds...and the flat face allows the eyes to be spaced as widely apart as possible to increase the stereoscopic effect. It's easy to see where the nickname, "Old Flatface" came from. For more on owl eyesight, click here.

Camouflage plumage patterns of a Barn Owl -- "Storm" from RAPTOR, Inc.

Close up of a Barn Owl's feet and talons -- "Storm" from RAPTOR, Inc.
The strong, long and sharp talons on owls' and other raptors'  feet can do a lot of damage and set them apart from other birds. Birds of prey have a locking mechanism that keeps the toes locked around their prey without having to use muscles to remain contracted. Click here for more specifics on owls' talons.  

Sunday, July 3, 2011

Painting birds and other wildlife on rocks and slate...

Matty and I are home from our Shawnee adventures. We had so much fun and can't believe the time is already over. We did a lot of work this year including handling the snakes at the nature center and helping kids and adults get over their fears of them like we did last year, but we added a few new things in too! Jenny knows I love to paint birds, and she knows Matty is an artist too, so she wondered if we could put on a painting workshop to teach kids and adults how to paint wildlife on rocks and slate tiles. "Of course we can do it," I said (even though I'd never done anything like that before and had no idea what to do), but after doing a little research and putting together templates from my bird paintings, Matty and I came up with a workshop we thought would be fun. I'm so glad we did it because everyone had a fantastic time and created beautiful and wonderful artwork! When I asked Matty what he wanted to say about the workshop, he said without thinking, "It was like we were all a big family." I guess a mutual love of the earth and all its wild creatures creates a quick connection among nature people, because it really was like we were one big family of artists painting nature!


...young nature artists use acrylic paints to create beautiful nature art on rocks.

Matthew Riccetti looks on to help kids paint during the Nature Painting workshop. Matt helped organize the event and helped paint with the kids.
Matty helps by answering questions, getting paints, changing water...and just laughing with the kids.


...wherever you looked, birds, snakes, salamanders, turtles, and frogs were coming to life under the skilled hands of young nature artists! (If you look closely, you can see the gentleman on the right has created a beautiful Northern Cardinal. Unfortunately because of the angle of the rock, we can't see the colorful Common Yellowthroat the gentleman on the left created...)


...everybody joined in to create beautiful art in nature!


...some artists preferred free-form expressionism...


...while others went for realism.
(I see a happy little Chiggy coming to life here!)


...it was thrilling to watch everyone focus and really get into their art. The variety of styles and subjects was amazing...


...big kids joined in too!
(You should have seen the stones after these two lovely ladies were finished. They were gorgeous!)


...even Jenny's mom attended and created a beautiful Hooded Warbler!

Matthew Riccetti painting after everyone is finished. Matty is a volunteer during the summer for Jenny Richards at the park.
...towards the end of the workshop, Matty sat down and painted a stone too. He created a beautiful frog.

If you're in the area, be sure to check out Jenny's calendar of events. She always has something scheduled at the nature center, and if you live in Cincinnati, Shawnee is only two hours away. The lodge is lovely, and escaping into the forest feels like you've gone worlds away. If your child is at all interested in herpetology, you need to visit Jenny at the nature center. She is the most hands-on naturalist I've ever met. She has an unsurpassed talent for awakening a love of nature in children. You will be amazed at how much your child will learn from just a few minutes with Jenny...

p.s. Matty and I will be volunteering for a week next year at Shawnee too, and we're going to put on the free workshop again. Maybe we will see you there. I'll be sure to post the date next summer.

...also...painting on rocks is really fun! We used really smooth rocks, and I loved the way the creamy acrylics would glide over the surface. I painted a Hooded Warbler on one side of the rock and then flipped it to paint a Northern Cardinal on the other side. I'll write more on that later...

Wednesday, October 13, 2010

Painting birds in an impressionistic style...

Matty art-directed me with these paintings. He's taking an art class right now and is helping me learn to be a bit more creative and looser in my style. He's all about creating something different and new, so he challenged me to get a little modern. In his exact words, "We all know you can paint and draw a bird, but can you make it interesting?" Okay professor....

Painting #39 Northern Cardinal in Evening Snow

I saw this bird in the dead of winter at a local park. Snowflakes were falling heavily and all was quiet except for the muffled sound of new snow consistently accumulating on old snow--a special sound you have to strain to hear, but one that refreshes and soothes. The bird was hidden deep in the center of an oversized bush, protected by branches as night was beginning to fall. The temps were wickedly frigid and this fellow was fluffed to gargantuan extremes. He was one of the most beautiful cardinals I had ever seen.

I had originally painted this guy in full form sitting on a branch, but Matty said, "Nope...get rid of the branches and show me something interesting." So...I just started painting over the branches and the bird, thickly applying paint where it felt good, remembering the darkness...and the cold...and the silent sound of falling snow. Eventually this fellow emerged, and Matty liked him. He liked the chunkiness of the brown paint and the fact the only things in focus were the bill and eyes. He said it was an interesting painting because you had to think about where the bird was and what he was doing.

Painting #40 Goldfinch in the Grass

A saw this little American Goldfinch in a meadow last year. He was surrounded by green leaves and brown grass. Autumn was just starting to creep in, and he was looking a bit scruffy as he carefully poked through teasel stalks. His molt had just begun and his beautiful breeding plumage was starting to fade into the subdued shades of winter, but as I stood in the field and watched him, thoughts of winter were no where around. It was hot that day...very hot, and it felt like summer would go on forever.

I also had already painted a branch with this one and was about to paint the teasel seed head the bird was looking at when Matty said, "Why do you want to add that in? You don't need it. It's interesting right now to see him in the intense green. There's energy. Leave him alone and get rid of the branch." I stammered, "Really? Don't I need to add details to the bird....don't I need to add shadow?" He added, "Mom, can you tell it's a goldfinch?" I shook my head yes. "Then...leave it." So I did, and I love it! I can feel the heat of the day and the sweetness of the bird. I remember everything without seeing the detail.

Painting #41 Autumn Chickadee

Chickadees are my favorite bird. I can hear their cheerful sounds outside my kitchen window all year long. It never fails, as soon as a Chickadee sound registers in my brain, happiness and joy follow! They are happy little powerhouses, and it seems they have the same effect on lots of people. Thank goodness for Chickadees (especially in grey and frigid February). I saw this fellow last year too. He was about 20 feet off the Little Miami trail washed in a blaze of autumn color. Temps were just starting to drop, and he was working hard to gather food for the winter.

Well...this painting does not carry with it Matty's seal of approval. We love the background and the soft warmth of the autumn color, but unfortunately Matty wasn't in the kitchen when I was painting this one, and I added a bit too much detail to the bird, and what on earth was I thinking when I added the "floating" branch? I could go back and paint over it and make it cool, but I'll let it stand as is and move on to the next painting. I already have painting 42 finished and have 43 and 44 in the works. I've got to keep moving if I want to finish the 100 Paintings in a Year Challenge by December 31, 2010!

Matty taught me a lot about freedom with paint in this series. He has a creative eye. Matty, thanks for helping me grow as an artist!