Friday, May 23, 2014

The boardwalk eagles at Magee Marsh...

I had heard there was an American Bald Eagle's nest along the boardwalk at Magee Marsh, but I didn't know where it was, and with all the excitement of nonstop warblers flitting all around, I forgot about it until I saw an adult eagle fly overhead with a fish in its talons...exciting! I started walking in the direction the eagle had flown and soon heard someone say, "the baby has popped up!" I followed their gaze and was amazed at how close the nest was to the boardwalk...

American Bald Eagle and eaglet at Magee Marsh (view from the parking lot).

Adult American Bald Eagle preening.

The view of the eagle's nest from the boardwalk. I was told this was the second year for the "boardwalk" eagles. This shot lets you see how large the aerie already has become. 

A severed gull's wing hanging in a tree was evidence of the nearby eagle's nest. The gull wing became a landmark of sorts, and I heard once or twice, "a Cape May Warbler is at the gull's wing," or  "possible golden-winged warbler at the gull's wing."

I photographed the eagle and eaglet during The Biggest Week in American Birding.
I'll get busy with warbler posts soon!

Wednesday, May 14, 2014

Canada Warbler at Magee Marsh

I am having a lot of fun at the Biggest Week in American Birding, and I've seen oodles of beautiful warblers. Highest counts so far for me have been Magnolia Warblers, American Redstarts, Chestnut-sided Warblers, Bay-breasted Warblers, Wilson's Warblers, Blackpoll Warblers, Black-throated Warblers, and Canada Warblers (basically, they are everywhere). Here are a few shots of a female Canada Warbler...

…that big, bespectacled eye is gorgeous!






I would write more, but I'm exhausted...

The first field sketching class on Monday was a blast! What a wonderful experience. We all had fun, and everyone created fantastic sketches. The second class is tomorrow. Fingers crossed the rain holds off!

Friday, May 9, 2014

How to make your own birding jewelry...

I'm sure it comes as no surprise that I wear bird-themed jewelry, but you might be surprised to learn I make all of my own jewelry. I am allergic to metal and can't wear gold or silver necklaces, so years ago I started making my own out of ceramic beads, pearls, and natural stone. I make all sorts of ceramic beads, and thought you might like to learn how to make a few for yourself.  If you can roll out clay, stamp in a design, and string beads, you can make your own bird jewelry too...

A binocular pendant on a string of amethyst.
A pair of binoculars strung on polished amethyst?
Yep...a birder born in February (me) is going to wear this.
 

How to make a bead out of clay
Step 1. Roll out a small slab of clay and press a stamped image into it. 
Make the slab at least 1/4" thick so you can create a channel to run the stringing material through. Experiment on how hard you have to press to get a good impression. If you press too hard, the image isn't crisp enough.

Stamping into clay creates cool beads.
There are so many types of beads you can make, but a stamped-image bead is the easiest. You can find stamps at any craft store. You can also make your own stamps (but I'll leave that for another post).

Step 2. Determine where you want the stringing channel and mark it with a wooden skewer. 
I usually place the stringing channel high on the bead. You can go as low as the center, but if you go any lower, the bead will just flop to the other side when hanging.

I place the stringing channel high on the bead, so it lays nicely on the wire.
Note
You don't have to make a bead with a stringing channel. You can make a pendant instead by just punching a hole at the center top, or on both edges (see the example in the pendant section below).

Step 3. Push the wooden skewer through the clay to form the stringing channel. 
Go slowly so you don't "lose the center." If you accidentally push the skewer through the side, just squish up the clay and try again! After one or two tries, you won't have a problem.

Take your time while pushing the skewer through the clay. When you remove the skewer, clean up the edges by swiping your finger across the clay to smooth everything out.

For this necklace, I used high-quality flexible wire. Strong wire saves you from having to restring the necklace later because of breakage or stretching. You can also use silk thread, which is strong and long lasting. 
Note
In the bead above, I created a "natural" stone look by not smoothing the clay out very well, which created a texture that resembled stone. After it was fired, I glazed the bead with a black matte glaze and then wiped it off the surface. The glaze was left in all the nooks and crannies, including in the stamped image. For the second firing, I left the glossy clear coat off. (I paired the rustic bead with the glitz of polished amethyst rectangles for interest. It would have been very easy to just string this bead on a smooth leather cord, but it wouldn't have been as fun.)


How to use crimp beads on a pendant
When you make a pendant, you have no way to string it on a wire or thread, so you have to attach to the stringing material. There are many ways to do this, but the simplest method is just using a crimp bead. (Note: It's the easiest method, but it's not the most elegant method; however, I wanted a very simple look to go with the rustic bead below, so it was perfect for this necklace).

Step 1. String the wire through the hole and slip a crimp bead over it.  
...then thread the shorter end of the wire through the crimp bead.

You can get crimp beads at any craft or beading store. I always use sterling silver.

Step 2. Use a small pliers to smash the crimp bead together.  
When smashed, the tube forms a little square, which looks nice when you want a simple design. I wanted simplicity to tie the rustic bird pendant together with lovely freshwater pearls.

Use the pliers to smash the crimp bead down. It holds the stringing wire in place. You can feed the excess wire through the next couple beads, or snip it off. 

A rustic bead pendant paired with a simple crimp bead and cultured freshwater pearls is the perfect look for this chickadee pendant necklace.

Attaching a clasp
The easiest clasp to attach is a lobster claw clasp. You can attach it using a crimp bead the same way as described above.

You don't have to get fancy when you first start making jewelry, a quick crimp bead and a lobster clasp works fine!

...and the best place to wear bird-themed jewelry? 
The Biggest Week in American Birding, of course! 

Hope to see you there! I'm heading up Sunday (Mother's Day!). I can't wait to see all the warblers!
Click here for info on the Biggest Week. Online registration is closed, but walk-in registration is available at Maumee Bay Lodge and the Black Swamp Bird Observatory.

Happy Mother's Day!
(...especially to Mom...)


Saturday, April 19, 2014

Sketching skeletons and skins...

Matty and I spent a couple of hours Friday afternoon sketching bird skeletons, skins, and mounted specimens at the Geier Collections and Research Center in downtown Cincinnati. The Geier Center is the research arm of the Cincinnati Natural History Museum. It's a state-of-the-art facility that houses all of the collections not on display at the Museum Center. It also includes laboratories for the paleontology, archaeology and zoology collections. I contacted Dr. Herman Mays, the curator of zoology, to see if Matty and I could sketch a few of the specimens in the collection, and he said yes! Dr. Mays was wonderfully accommodating and incredibly nice. He set us up in the room holding the massive zoology collection and let us know we could sketch and photograph anything we wanted to. My head is still spinning from everything we saw. I got to work right away and sketched non-stop. Matty studied a lot of the collection and sketched a few birds with me as well. It will take several posts to cover our adventure...

Sketch of a Great Blue Heron (Ardea herodias) skull from the Geier Collections 
and Research Center (the Cincinnati Museum of Natural History)
I'm writing a book for the field sketching class I'm teaching at the Biggest Week in American Birding warbler festival and wanted to see and sketch close-up views of bills, wings, and skeletons for a few of the illustrations. Everything I needed was at the Geier Center. I'm so glad Dr Mays let us visit the center!

...the Great Blue Heron (Ardea herodias) skull I sketched. 
I loved seeing all the bird skeletons, bones, and skulls. 
An American Coot (Fulica americana) skull from the Geier Collections and Research Center
I chose this mounted Pipit as my first bird to sketch...and what a sweetie! I drew him quickly, pretending I was sketching the bird in the wild (a very cooperative bird who sat very close...).

Matty sketched a Baltimore Oriole. He took his time and did a great job! 
(He's an artist, he just doesn't know it yet!)

...this American Pipit mounted bird looks real. You wouldn't be able to tell it's a taxidermied bird if you didn't know!
Cute little Pipit!
Sketching mounted birds is a great way to practice drawing birds from "life." Translating a three-dimensional object into a two-dimensional image on paper takes a little practice.

Lots of racks of mounted specimens...

...lots of drawers of bird skins. The collection is amazing with between 20-30,000 bird specimens.

The ornithology collection has new and old specimens dating back to the mid 1880s.

A Wooly Mammoth family grazes in the front lawn of the Geier Collections and Research Center. I remember these gargantuan bonded bronze sculptures when they stood in front of the Eden Park/Mt. Adam's location of the Natural History Museum. As a kid I loved seeing them because they set the stage for what was to come! I was glad to see them again.
(The artist who created these beautiful sculptures is Norman Neal Deaton, click here for info on him.)

Sketching in the field...museum!
If you love to paint and draw birds, head to your local natural history museum and take advantage of the wonderful collections available to you. Being able to hold these specimens and view them up close gives you a greater understanding of a bird's structure. You can count the primaries and secondaries on the wing...see the underwing coverts...see all the bones and joints in the toes...study the unique S curve in a bird's neck or the bone structure in the wing and legs, or anything else you can think of. The knowledge you take home will help you draw birds better, and your appreciation of their amazing adaptations and abilities will grow.

If you're in Cincinnati, the Geier Collections and Research Center is located at 760 West Fifth Street. 
Click here to read more about it. 

Sketching on the boardwalk!
Another way to get up close with an extraordinary variety and number of birds is to visit the boardwalk at Magee Marsh (near Toledo, OH) in May where you can witness the amazing phenomena of spring migration. The trees along the boardwalk literally drip with neotropical migrants as they rest and fuel up for the last leg of their journey across Lake Erie to their nesting grounds up north. Head up to the Biggest Week in American Birding, May 6 - 15 where you can walk the boardwalk and meet lots of other birders too.


Click here for the Biggest Week in American Birding workshop information. 
Click here for festival registration information. 

Sunday, April 13, 2014

Cooper's Hawk along the Little Miami...and the value of a field journal...

I often see Cooper's Hawks in my backyard, but I saw this fellow along the Little Miami River. I see him regularly in the same spot in a tree about 20 feet off the bike trail. The first time I saw him there was October 9, 2007 (since I've seen a Cooper's Hawk in the exact spot many times since then, I like to think it's the same bird, but who knows, maybe it's just a popular branch!). From my field journal:
Thursday, October 9, 2007 (1:30 p.m., 85 degrees)   A breeze sweeping through the over-dry trees—leaves falling in such fast succession it sounds like rain (not beautiful, colored leaves, but brown, crispy leaves, victims of the drought). The trees are still green—odd to see and hear falling leaves. Wow! Three or four steps further I am eye level with a Cooper's Hawk. His back is to me—blue-gray feathers, three black bars on his tail. When he turns his head, I see a fierce red/amber eye. He knows I'm there. He flies away.

A beautiful Cooper's Hawk with vibrant red eyes surveys his territory.
Cooper's Hawk along the Little Miami River and bike trail.
I'm so glad I've kept a field journal over the years. I've learned a lot from observations, and I like being able to go back and check on dates. When I saw this fellow a few days ago, I wondered how many years it had been since I first saw him claiming that branch. I was thinking three or four years...turns out it's been almost seven years! Cooper's Hawks live an average of 12 years in the wild, but according to Cornell, the oldest known Cooper's Hawk was 20.4 years, which means this could very well be the same bird, and I might see him on that exact branch for many years to come!

A beautiful Cooper's Hawk surveys his territory in the woods along the little Miami River. 

I'm going to be volunteering at the Biggest Week in American Birding warbler festival (on Lake Erie near Toledo, Ohio) this May. On May 12 and may 15, I'll be teaching a class for beginners on basic field sketching and nature journaling techniques. If you're there and want to learn how to start sketching in the field and the importance of keeping a field or nature journal, sign up for the class. I'd love to see you there!

(...on the other days I'll be roaming the Magee Marsh boardwalk watching the amazing phenomena of spring migration along Lake Erie. If you want to see warblers and other neotropical migrants, come to Magee Marsh in May. The trees along the boardwalk literally drip with birds as they rest and fuel up for the last leg of their journey across Lake Erie to their nesting grounds up north). Click here for registration information.


...and in other birding news...
Little Miami, Inc. has a new name! They are now the Little Miami Conservancy, which is much more fitting since they have been involved with river conservation since 1967!


Click here to learn more about the Little Miami Conservancy.
Click here for a pdf explaining their mission and history.
Click here for their Facebook page.

I'm going to have another post soon about everything they do. If you're looking for a way to volunteer and help protect the Little Miami River and its riparian corridor, check them out!

Sunday, April 6, 2014

A purple so vivid...

Our little clump of purple burst open this week. Much anticipated, it grows at the bottom of the driveway near the street. Its vibrant color is so cheerful and happy, a color I had forgotten existed....

Crocuses bloom in the front yard. Goodbye Winter!



Long live the beautiful bright vivid reviving happy 
purply purple crocuses of spring! 

(Goodbye, winter!)

Wednesday, April 2, 2014

Yellow-rumped Warbler in the rain...

I photographed this Yellow-rumped Warbler in May of 2012 at Magee Marsh during the Biggest Week in American Birding. It was spitting rain that day, but the overcast skies and raindrops made the woods look greener and more lush, and the diffused light cast a beautiful softness over the marsh I'm glad I didn't miss. This little Yellow-rumped Warbler was not close, but he was busy and fun to watch as he looked for insects among the raindrops. He wasn't attracting much attention from admirers along the boardwalk. In the birding world, he's not one of the "heavy hitters," but I liked him just fine. His colors were gorgeous in the soft light, and his song was cheerful. I watched him as he worked his way methodically through a tree looking for food and brightening my day.  (I can't wait to head up to Magee this year for a whole week of warblers!!)

Yellow-rumped Warbler along the boardwalk at Magee Marsh.


See you at the Biggest Week!

The Biggest Week in American Birding warbler festival is May 6 - 15. 
Click here for information and registration.